ART
Lee’s work has been shown in many galleries including the Aron Packer Gallery, Jett Sett Gallery, the ARC Gallery, RawSpace and the Gallery at Paper Boy. Lee has been a featured artist in Pulp Magazine, the Chicago Reader, the Globe and New City.
“The subjects for my artwork I arranged based on what I would call "Avant-Garde Blueprint" line patterns which are distorted hand-printed phrases & names in distorted lettering.
The main purpose of me creating my art this way is to make viewers aware of "new ways" or different ways of looking at things by bringing out the sub-conscious or new awareness visually. The other (possible) purpose of me creating my art this way is to prove to the world that I'm not merely a "Bourgeois Bohemian" or apathetic "Super-dilettante par excellence" who spouts off utterly meaningless flowery blabber and pedantia.
My work is about, or represents whatever is expressed that's sub-consciously repressed
or sub-consciously suppressed.Note that this explanation/statement rhymes.”
- Lee Groban
Wha'z Epiphany, Man?
Doll House of the Rising Sun (1974)
Painting on Canvas
Social Tree Climber
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Spring
Winter
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Gesundheit
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A Note to All Employees (1975)
Bourgeois Bohemian (1974)
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Art Lessons From Reisberg (1971)
Meet Me at Hot & Chunky's (1974)
The Rorschach Progression
Factionalism (2004)
Woodstock 94
Typical Fast-Food Restaurants (1996)
Apart From Your Brain (1997)
The Job Bored Him
No More Flautas (1974)
Wish You Luck (1974)
Folksongs (1974)
Pledging a Fraternity (1974)
Jim Dandy
It's 10 Below (1974)
A Cowboy Needs A Horse (1974)
Holefat (1976)
I'm Goin' t' Benny's (1982)
Industrial Energy Use (1994)
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